You might think it impossible to accurately present award-winning coverage and commentary of the Academy Awards nominations, seeing as how I've only seen three of the movies out of the twenty or so that are up for the various major
categories. However, you're forgetting one thing... I have a blog, thus I have opinions, and dammit, those
opinions don't need to be informed to be heard! That's basically what blogs are all about.
Doye, I thought you knew that. Anyway, let's... oh, wait, my mistake... some blogs are also about displaying pornography. Sorry, just wanted to make that clear. Okay, let's get on with it, shall we...
Best Original ScreenplayDiablo Cody - JunoNancy Oliver - Lars and the Real GirlTony Gilroy - Michael ClaytonBrad Bird, etc. - RatatouilleTamara Jenkins - The SavagesAlright, first things first, you can cross of Nancy Oliver. Every review that I read of
Lars and the Real Girl said it was "kinda cute, I guess... what else is on," so I think we can all assume that it's inclusion on this short list was some sort of book-keeping goof. Also,
Ratatouille? Really? I mean, it was
pleasant enough, but I don't know if I'd flat-out call it an Oscar-worthy film. I guess I just like my movies about rat swarms to include some gory murders, like in
Willard. Anyway,
Michael Clayton is probably too much like a book you buy at the airport to read on a plane, and only six people saw
The Savages (even though it had a cool poster done by Chris Ware), so I think we can safely say that the prize goes to
Diablo Cody, whom if I'm not mistaken is the daughter of Iron Eyes Cody, the crying
Indian from the 70's anti-litter ads. Right? No? She was a stripper? Wow... okay, I'm taking off my pants...
Best Adapted ScreenplayChristopher Hampton - AtonementSarah Polley - Away From HerRonald Harwood - The Diving Bell and the ButterflyThe Coen Brothers - No Country For Old MenPaul Thomas Anderson - There Will Be BloodThe
Coen Brothers should win because it's really nice to see two brothers getting along so well together. Also,
No Country For Old Men was neat-o. But, for the sake of argument, let's briefly look at the other contenders: Christopher Hampton won't win because
Atonement looks like a boring chick flick about love and cooties and whatnot. Sarah
Polley should just be happy she got out of the mall full of zombies for long enough to write anything, much less an Oscar-winning screenplay. Ronald
Harwood's movie was in French, so who cares. Paul Thomas Anderson is pretty cool, but everything I've heard about this movie has been regarding Daniel Day-Lewis kicking ass, not about the screenplay, which leads me to believe that Anderson didn't even do anything. He probably just said, "Hey, Mr.
Mohicans, just make up some crap and we'll turn the camera on." Yeah, that's probably what happened.
Best Supporting ActressCate Blanchett - I'm Not ThereRuby Dee - American GangsterAmy Ryan - Gone, Baby, GoneSaoirse Ronan - AtonementTilda Swinton - Michael ClaytonHere we have the first of two Ah, They're Old, Let's Give Them A Nod And Maybe Some Pudding nominations (
that would be for Ruby Dee, who at last count was
eleventy-billion years old); she'll probably be in bed before the ceremony even starts, so we don't need to worry about her. This Amy Ryan lady was apparently really awesome, and I heard she swears a lot in the movie, which is always cool in my book, but probably not cool with the Academy squares. The one with the weird name is like thirteen, so we can cross her off because she's not Tatum O'Neil. And Tilda
Swinton is so pale she looks like one of those things from
Cocoon after it shed it's human skin. So that leaves
Blanchett, who plays a dude. Playing a dude if you're a chick is pretty much like a having a gift certificate good for 1 Free Oscar. Playing a dude if you're a dude won't really get you very far. Take me for example; I've been a dude playing a dude for years. Nothing. Not even a Critic's Choice award, and they give those out at stoplights in Hollywood. Whatever, I don't even care.
Best Supporting ActorCasey Affleck - The Assassination of Jesse James... Javier Bardem - No Country For Old MenPhillip Seymour Hoffman - Charlie Wilson's WarHal Holbrook - Into The WildTom Wilkinson - Michael ClaytonHal
Holbrook is the other old person who's getting an Oscar nomination because he's old. Sure, I heard he was good in
Into The Wild, but still... old.
Oooh, so how pissed do you think Ben
Affleck's going to be when he finds out his younger brother got an acting nomination before him? I mean, yeah, he's already got an actual Oscar for writing, but come on... writers are nerds. Being an actor is way cooler, so I'll bet he's going to be
soooo pissed. I bet Casey
Affleck tries to mack it with Jennifer Garner now, and I bet he totally scores. I guess it really doesn't matter in the end though because Javier
Bardem has already got this one tucked into his tasteful man-bag. He was so fucking scary in
No Country For Old Men, the Academy is going to give him the Oscar just so he doesn't show up at their houses and make them call heads or tails.
Best ActressCate Blanchette - Elizabeth: First Blood Part 2Julie Christie - Away From HerMarion Cotillard - La Vie En RoseEllen Page - JunoLaura Linney - The SavagesSee, I'm torn here. Ellen Page and Laura
Linney are both just
smokin', but for two different reasons... Page because she's all hipster and gorgeous and looks like she could probably talk to you about records while wearing one of your dress shirts. And
Linney is like that one English teacher you had in high school who you thought, just maybe, if you had the balls to ask... anyway, I don't know which one I want to win more, and neither does my penis. I guess it's kind of a moot point anyway, because Julie Christie and this Marion
Cotillard person have been duking it out all awards season, so it'll probably be one of them. Oh, and can you fucking believe they made a
sequel to
Elizabeth? That movie was so boring, I actually fell asleep
in the theater! No shit, and I stayed awake through the entire, four-hour Russian version of
Solaris this one time, which was no easy feat, let me tell you. So yeah, let's make a
sequel to a movie so boring, it makes dead people wish they were alive so they could kill themselves.
Best ActorDaniel Day-Lewis - There Will Be BloodGeorge Clooney - Michael ClaytonJohnny Depp - Sweeny Todd: The Demon Barber of Fleet StreetTommy Lee Jones - In The Valley Of ElahViggo Mortenston - Eastern PromisesYeah, Daniel Day-Lewis is going to win this one. Also, how hot is this list of actors? You've got serious, British hot (D-
DL), you've got classic movie star hot (
GC), you've got weird, goth-y nerd hot (JD), you've got grizzled cowboy hot (
TLJ), and then, as a palate cleanser, you've got
chiseled, ugly hot who's not afraid to whip out the
wang while killing people (
VM). If they show all these dudes on the screen at one time, every woman in American is going to kill their husband or boyfriend for not being up to the ridiculously high standards of the Academy who, turns out, are all total
horndogs. By the way,
Sweeny Todd was the last of the three nominated movies that I've seen and, for the record,
Depp was just totally kick-ass in it.
Best DirectorThe Coen Brothers - No Country For Old MenPaul Thomas Anderson - There Will Be BloodJulian Schnabel - The Diving Bell and the ButterflyJason Reitman - JunoTony Gilroy - Michael ClaytonJulian Schnabel is all, "
Oooh, I'm an artist, I only make movies when I'm not doing my paintings, which is all I really care about, fart fart fart!!!" So fuck him. Tony
Gilroy and his little lawyer movie are good, I'm sure, but eh. Jason
Reitman directed a comedy, thus it's a fucking miracle on par with the 1980 USA victory over the Russians at Lake Placid that we're even talking about him at all. Paul Thomas Anderson's
initials are PTA, which is just silly. So that leaves us with the
Coen Brothers. Such nice boys. I hope they win, because I bet it would make their mom really proud. Julian Schnabel probably doesn't even talk to his mom because it's "not what an artist does."
Jerkwad.
Jerkwad Schnabel, that's his new name.
Best PictureNo Country For Old MenThere Will Be BloodAtonement JunoMichael ClaytonOkay, you can cross off
Juno and
Michael Clayton right away. A comedy won't win because it's a comedy and the little lawyer movie won't win because only like thirty people saw it, plus lawyers are so boring they should be in
Elizabeth 3: Let's Get Legal, Y'all. Of the three remaining, you could probably count out
Atonement because it's all
froo-
froo, lovey-
dovey, and it's about war and we're all sick of that right about now. So it really comes down to two movies that are really depressing and feature bad men doing bad things to other people. At least
No Country For Old Men has that; I assume
There Will Be Blood does too. I mean, it says right there in the title that there's going to be some blood, so... you know... there better be, or America can sue for false advertising. It's true, I looked it up (not really). In the end, though, the Oscar goes to
No Country For Old Men because it's the only one I've seen out
of the five. And, as we all know, I have the best taste ever. Why would I have seen it if it weren't the best picture out there? Exactly, I wouldn't have.